Adsr sample manager

Author: b | 2025-04-23

Download ADSR SAMPLE MANAGER v1.2 : ADSR Sample Manager

ADSR Sample Manager by ADSR - Find the perfect

Knoxville, TN — Waves Audio, the world’s leading developer of professional audio signal processing technologies and plugins, is now shipping the CR8 Creative Sampler, together with the built-in COSMOS AI-powered Sample Finder and over 2,500 free samples.The Waves CR8 Creative Sampler takes all of the most powerful creative sample manipulation options and puts them in one easy workflow, so you can get creative fast. With CR8 you can turn any sound into an inspiring playable instrument in seconds – with the easiest access to:Eight sample layers, allowing you stack and mix samples, or split them across your keysFive stretching algorithms – Voice, Beats, Melodic, Harmonic and Classic – each allowing you to control pitch and time independentlyKey & BPM analysis to get you in tune and in sync with your session in secondsEasy Loop, Reverse, Freeze options and more, for instant control over your sample playbackIn addition, you can shape color and timbre using the built-in filters and ADSR envelopes, with drag-and-drop assignment of four powerful LFO/Sequencer modulators and four ADSR envelopes to practically any CR8 control. You can also assign your keyboard’s aftertouch, velocity, mod-wheel and pitch-wheel to most of CR8’s controls, making your samples playable in a responsive musical way.CR8 also includes the built-in Waves COSMOS, an AI-powered Sample Finder that sorts all the one-shots and loops on your computer and auto-tags them by instrument, key, BPM and other musical characteristics. With COSMOS, you can find any sample in your collection quickly and easily. With CR8 and COSMOS working together, you can browse and audition all your samples right from within the CR8 sampler, while the track is playing, in the context of your session, without leaving your creative workflow to search for sounds.CR8 comes with over 800 sampler presets, plus over 2500 free one-shots and loops (included with COSMOS).CR8 Creative Sampler Features:The most creative sampler options in a fast and easy workflowEight sample layers to create rich sample texturesStack and mix the eight layers, or split them across your keyboardFive stretching algorithms: Voice, Beats, Melodic, Harmonic, ClassicPlay and Launch modesRoot and BPM detectionDrag and drop four LFO/Sequencers and four ADSR modulators on any CR8 controlIndividual Cutoff, Resonance and Drive for each sample with four assignable group filtersAssign keyboard functions to CR8 controls for extra playabilityInternal sample mixer with tune, pan and width settingsIncludes the COSMOS AI-powered Sampler FinderOver 2500 free samples (with the built-in COSMOS)Over 800 creative sampler presetsWaves C48 Creative Sampler videos:NEW Waves CR8 Sampler | Create Infinite Instruments. Quicker: MUST-KNOW Sampling Tricks | CR8 Creative Sampler:

How to add sample libraries to ADSR Sample Manager – ADSR

Up 3 macros – so..... HPF, Res and....Pan?! Winterpark Posts: 1671 Joined: Thu Apr 15, 2004 2:59 am Location: Melbourne, Australia Re: Transient control: ADSR, Compression...or Transient Shapers? Post by Winterpark » Wed May 13, 2015 6:44 am As a point of interest on Macro set-up....At the Melbourne live user group we had Phillip who works in the packs team from Ableton come in and talk to us about how they try to get the commercial packs set up, so there are common parameters mapped to specific macros.His template is something that I've been doing my best to implement whenever I create my own sample based instruments or drum racks.... macro 1: Brightness modifier (filter freq etc)macro 2-3: Wild-card, but good to map as a pair ie: lfo rate and lfo amountmacro 4: Effect/wetness (ie: delay and/or reverb amount)macro 5-6: Envelope functions (ie Attack/Release of either amp or filter depending on sound)macro 7: Wildcardmacro 8: VolumeI've found this super useful, and makes playing between instruments really easy, as you develop 'muscle memory' for going to certain types of parameters, instead of having to look at what they say. irrelevance Posts: 463 Joined: Tue May 20, 2008 7:31 pm Re: Transient control: ADSR, Compression...or Transient Shapers? Post by irrelevance » Wed May 13, 2015 7:18 am I really need to build some new rack templates. Great discussion so far thanks Citizen Posts: 813 Joined: Mon Jan 17, 2011 4:34 am Re: Transient control: ADSR, Compression...or Transient Shapers? Post by Citizen » Wed May 13, 2015 8:34 am Winterpark wrote:macro 1: Brightness modifier (filter freq etc)macro 2-3: Wild-card, but good to map as a pair ie: lfo rate and lfo amountmacro 4: Effect/wetness (ie: delay and/or reverb amount)macro 5-6: Envelope functions (ie Attack/Release of either amp or filter depending on sound)macro 7: Wildcardmacro 8: VolumeI've found this super useful, and makes playing between instruments really easy, as you develop 'muscle memory' for going to certain types of parameters, instead of having to look at what they say.Agreed on the muscle memory bit – thats why I'm trying to get my rack down to a format that I won't change in the future, so that using it is second nature.A few Qs:• No sample selector macro?! (I'm primarily doing 128s of drum sounds and one shots/FX)• Macro 4: I'm assuming that your drum racks all have return chains that are pre-mapped to this?• Macro 5-6: No decay or Sustain control? TomViolenz Posts: 6854 Joined: Mon Dec 13, 2010 6:19 pm Re: Transient control: ADSR, Compression...or Transient Shapers? Post by TomViolenz » Wed May 13, 2015 9:23 am Citizen wrote:Thanks for the awesome points Tom – you mirror some of my own thinking, and

How to add sample libraries to ADSR Sample Manager ADSR

Of reverberation that is unknown to you (because the reverb tails are not there), will not confuse the human ear (a straight natural mono sound like in nature is used), will not crowd your mix and will be steerable and way easier to mix! So think like in nature and human hearing. A sound will come in nature as mono, it picks op reverberations from the room of environment, and we as humans catch that with our two ears. The part of reverberation that has been lost (by cutting all samples short), can be compensated by using you own reverberation inside your mix. That can be a way more clear way to get a good dry mix first, then put on effects that you need. For me that is a way more easy way of working and getting a mix to sound good. Working first with sampled instruments in mono one shot samples, and then recreate the reverberation with reverbs and delays inside your mix effects sections, will give a more human hearing natural sound, as it would be in the real world.The second is working with just One Sample per Instrument, makes it a lot easier to work with the samples in an audio editor. If you have a Piano the comes from a Library, like a Steinway Piano, this can have lots of samples (maybe even hundreds of samples). We cannot edit or control these samples, that would be a lot of work. Just One Sample per Instrument can make you Autotune it easy! The C3 Piano One Shot Sample, can be cut to size easy, can be tuned easy, and will be played in tune across the whole keyboard. And it can be controller inside the sampler with ADSR real easy. So why work with hundreds of. Download ADSR SAMPLE MANAGER v1.2 : ADSR Sample Manager

Overview of the ADSR Sample Manager

XO. I wasted way too much time trying to get it to work and eventually gave up. If you actually manage to get your samples scanned in, the categorization is pretty comprehensive and does work very well. Unlike Atlas and XO, samples get various tags (vs. a single type tag - pitch, length, genre, brightness, distortion etc.) that describe them, somewhat similar to the ADSR one. It has a map for drum samples and bass/other oneshots (sortable by sample type like the competitors plus Brightness and a couple other options) but also allows you to search and filter loops (drum and non-drum) in a list view as well. The main functionality downside for me is that you can't search within subfolders at all, not even by entering folder names in the text search. You can however tie multiple root folders together and enable/disable them together. Due to the scanning issues it was unusable, which is unfortunate because it's both cheap and an excellent sample librarian (almost all the advantages of both ADSR and XO/Atlas and even more - if it were to actually work!). I refuse to use Waves anymore so I have no idea if they've fixed it. Honestly I doubt it.XO, at least as of when I had it a few years ago, was limited to a single map. Like Atlas, Drum and drum-adjacent samples only, no loops. It may?? include pitch and length filters for drum oneshots but I don't remember 100%. Text searches operate on folder names as well as file names but you cannot explicitly limit the map to a specific subfolder of one of the folders you've added (if I remember correctly, you CAN add multiple root folders and check or uncheck those to show or hide the samples in the map). Unlike Atlas

ADSR Sample Manager v1.2

All the essentials you need to write catchy chord progressions – including chord motion charts, chord voicings and common progressions 👇 DSK The GrandA blog reader recommended this piano to us, and it does not disappoint. For what seems like a very lacklustre interface, you get a decent sound:Sure, it’s not going to be something you’d get out of a professional paid sample library. But it might be all you need for a very specific sound.The plugin is available in both Windows and Mac formats, except the Mac format seems to only be 32 bit.Download HereIowa PianoModelled off of the infamous Steinway Grand Piano, this great yet tiny piano plugin instrument. It might be exactly the free plugin you’re looking for:Iowa free piano VSTIt’s only got the one sound, but it’s a solid one.Great for layering and for adding a bit more high-end texture to something. Not necessarily what you want if you’re looking for the richest piano. Here’s what it sounds like:Iowa free pianoOne cool feature is that you can shape the ADSR envelope. This can lead to some cool results:Playing with the ADSR envelopeOnce again, this one is it’s own plugin, so plug and play.Download HereRecommended: Ableton Live Piano Roll: 19 TipsAmoreAmore is a solid piano option, created by Precision Sound. This one is only available for Kontakt, so make sure you have a copy of that first.This one is semi-bright while maintaining a realistic and soft sound. Great for emotional film-inspired stuff and ballad-electronic stuff alike.Download HereThe WhisperAlso from Bigcat Instruments (creator of Iowa Piano), this piano sounds great for a dramatic, soft piano. Great for jazz and soul type music:The Whisper free piano VSTYou can download this for Kontakt, as a soundfont or as a standalone VST.Note that they have a bunch of other free piano libraries you can check out too!Download HereSpitfire Labs Modular PianoAnother creative and experimental option from Spitfire – this piano takes things to the next level.LABS Modular PianoIt’s not quite a normal piano when you first load it up. There are multiple different options you can choose from, each with a completely unique style: reverses, glitches, distortions, and much more.Just try them out – you’ll see what I mean.Like the Soft Piano, this one is free to use with Spitfire’s LABS software.Download HereRecommended: Free Sample PacksAtmos by Beatmaker Free Piano VSTAtmos is, as the name suggests, great for atmospheres:Free Piano VST

[Free] Introducing ADSR Audio's sample management plug-in ADSR Sample

In our rush to tell you about Cosmos, Waves’ new free sample management software, we neglected to give much mention to CR8, the company’s new sampler plugin.This is said to “take everything fun and exciting about sampling and put it all inside a fast, easy workflow,” which sounds good to us, particularly as you can currently purchase CR8 for just $10.You have eight sample layers, enabling you to stack and mix samples, or split them across your keys. There are also five stretching algorithms: Voice, Beats, Melodic, Harmonic and Classic. Each of these offers independent control of pitch and time.Speaking of which, key and BPM analysis means that it should be easy to make samples ‘fit’ your current project, and there are loop, reverse and freeze playback options.Sound-shaping controls include filters and ADSR envelopes, and there are four LFO/sequencer modulators. Your keyboard’s aftertouch, velocity, mod wheel and pitch wheel can be assigned to the majority of CR8’s controls, too.CR8 is designed to integrate directly with Cosmos - which comes with 2,500 free samples - and gives you more than 800 presets. It runs on PC and Mac in VST/AU/AAX formats, and can be purchased now from the Waves website, where you’ll also find a demo.Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.. Download ADSR SAMPLE MANAGER v1.2 : ADSR Sample Manager Download ADSR SAMPLE MANAGER v1.2 : ADSR Sample Manager